06 December 2015

Grave matters: Ivy

Ivy seems almost to be ubiquitous in cemeteries. Either you’ll find it carved into the stone of a grave marker as decoration, or it will be smothering that same headstone so you can no longer read the details of who’s buried beneath, or both!

As you might easily deduce, when the evergreen and almost indestructible ivy is used as a decorative element on a headstone it is intended to symbolise immortality and eternal life, and perhaps also rebirth and regeneration – just think how resilient a plant ivy is and how, even when you think you’ve removed every last piece of it from a stone wall, it soon reappears as if by magic. Some people believe ivy is also symbolic of friendship, faithfulness and fidelity.

The plant itself can be seen both as a blessing and a curse in a cemetery. On the positive side, it is an important plant for the environment, providing nectar and berries, shelter and nesting places for insects, birds, bats and other beasties. A covering of ivy is also thought to protect monumental stonework from weather erosion. On the negative side, however, the roots of ivy can creep between gaps in stonework causing grave monuments and headstones to crack and become unstable; its weight can cause similar instabilities; it frequently covers headstone inscriptions making them impossible to read; and if inexpert attempts to remove ivy can lead to further headstone damage.




How to deal with ivy is an issue for all authorities who have responsibility for heritage buildings and monuments, not just those in charge of cemeteries. One of the problems is that ivy can usually only be effectively eradicated through the use of herbicides and many heritage authorities have policies not to use chemicals within their grounds.

I don’t have the answers to the problems caused by ivy so I’ll let that literary master Charles Dickens have the last word here. This is the poem that appeared in his novel, Pickwick Papers, which was originally published in serial form between March 1836 and November 1837.

‘The Ivy Green’

Oh, a dainty plant is the Ivy green,
That creepeth o’er ruins old!
Of right choice food are his meals, I ween,
In his cell so lone and cold.
The wall must be crumbled, the stone decayed,
To pleasure his dainty whim:
And the mouldering dust that years have made
Is a merry meal for him.
        Creeping where no life is seen,
        A rare old plant is the Ivy green.

Fast he stealeth on, though he wears no wings,
And a staunch old heart has he.
How closely he twineth, how tight he clings,
To his friend the huge Oak Tree!
And slily he traileth along the ground,
And his leaves he gently waves,
As he joyously hugs and crawleth round
The rich mould of dead men’s graves.
        Creeping where grim death has been,
        A rare old plant is the Ivy green.

Whole ages have fled and their works decayed,
And nations have scattered been;
But the stout old Ivy shall never fade,
From its hale and hearty green.
The brave old plant, in its lonely days,
Shall fatten upon the past:
For the stateliest building man can raise,
Is the Ivy’s food at last.
        Creeping on, where time has been,
        A rare old plant is the Ivy green.









01 December 2015

British birds: A jay’s search for food

Though a shy bird by nature, the Eurasian Jay’s colouring is anything but. With a vivid blue patch on its wings, a body of dusky pink, pretty little black-and-white stripes atop its head and what looks remarkably like a black moustache, this bird is chic. No surprise then that ‘jay’ was once used, sneeringly, to describe a flashy dresser.

Like most members of the crow family, the jay (Garrulus glandarius) can be loud and noisy, and an excellent mimic. As well as copying other birds, they’ve been known to imitate the sounds of cats, dogs and even telephones. Some of their actions even mimic squirrels – they bury large quantities of acorns and show incredible skill at remembering where they’ve buried their hordes.


This afternoon I spent the most delightful 10 minutes watching this one particular jay search for food. Most thoroughly, it picked up leaves in its beak, then flung them to one side or the other out of the way. It then turned its head first to one side then the other to see if it had unearthed anything interesting. The bird was so engrossed in what it was doing that it hadn’t noticed me and my camera standing on the path directly in front of it and came walking directly towards me.





And, finally, success! I’m not sure what it found – it looked, perhaps, like some kind of seed – but the triumphant jay gulped it down whole and then looked directly at me with such a smug look on its face, before flying off, no doubt to repeat the same process all over again.

This is why I watch birds! 





A celebration of trees: November: Bute Park’s ginkgo avenue

Having been around for about 200 million years, the gorgeous ginkgo (Ginkgo biloba), possibly my favourite tree, is a living fossil. It was flourishing when dinosaurs roamed the earth! 

It has probably survived so long because it was considered sacred by Buddhist monks, who cultivated the tree near their temples. It also has no pests or diseases, and individual trees can live for as long as 1000 years.

The ginkgo is unique, with a fan-shaped leaf like no other tree – the shape of which accounts for its common name of Maidenhair tree, and with a fruit that smells like human vomit. Despite this revolting fact, the Chinese cook and eat it, and they use the seeds to make medicine which is supposedly good for the brain.

According to the Kew Gardens websitethe first ginkgoes were planted in Britain around 1760, and one of the very first still survives:

Perhaps the most well known tree of this species is the ‘Old Lion’ west of the Princess of Wales Conservatory. This was one of the first of this species to be planted in Britain, dating back to at least 1762 – less than 40 years after the first specimens had been introduced to Europe from China. It is one of the few trees at Kew remaining from the first botanic garden started by Princess Augusta, George III's mother, in 1759.

As you will see from the photographs included below, I fell in love with this avenue of ginkgoes in Bute Park when I first moved to Cardiff four months ago and I’ve been photographing it regularly ever since, both for the vibrant green of its summer foliage and for the brilliant bright yellow of its autumn leaves. I am also drawn to the geometric lines of the planting, and the lovely building at the end is the perfect focal point. (The people who frequently appear on the benches, where I have also spent many a happy hour, are an added bonus!)


The building is now the Anthony Hopkins Centre, named for the famous actor who studied here at the Royal Welsh College of Music and Drama, but it was originally the Castle Mews, built in 1874 to house the horses and carriages of the Marquis of Bute, who then lived in Cardiff Castle (which sits at the other end of the avenue across an old canal). After the horses moved out, the Mews buildings were used to house Bute estate workers, and later Cardiff Council’s equipment. Though the Council failed to maintain the property, the College resurrected and restored it after leasing the buildings in the 1980s.

The History Points website says the avenue had been planted with trees by 1880 and originally featured two rows of trees each side (the extra rows were later removed). But those original trees weren’t ginkgoes – the beautiful trees we see today were planted as recently as the 1950s, chosen by the Council’s Chief Parks Officer Bill Nelmes to replace the previous trees.

The ginkgoes are now one of the highlights of the magnificent Bute Park and even feature in the park’s revamped logo. Apparently, ‘The shape of the gingko tree is used to represent Bute Park as the “green heart” of Cardiff and the stylised castle and castle typography used to reinforce the importance of the relationship between the two sites.’ 

Long may Cardiff Council continue to recognise and care for these gorgeous green treasures!  











Do you love trees? Then you might like to look over my previous months’ celebrations of trees by clicking on the following links: January (one particular favourite), February (about lime avenues), March (on the subject of forests), April (about the greening of the trees in the British springtime), May (on the New Zealand pohutukawa), June (about some of Auckland’s most notable trees), July (honouring ten wondrous trees from my international travels), August (following pathways through forests and woodlands), September (about dead trees that have been given new life), and October (the beautiful colours of autumn in Cardiff).