Showing posts with label The Giving Lens. Show all posts
Showing posts with label The Giving Lens. Show all posts

23 October 2014

Tanzania: Giving back through photography

The final part of my 76-day gad about the world took me to a new country, to Tanzania for a 10-day adventure with The Giving Lens, an organisation that uses the medium of photographic workshops to bring volunteers and much-needed funds to local NGOs at the same time as providing their participants with photographic training and a more genuine, less touristy travel experience.

Our Giving Lens team of photographers (photo: Daniel Nahabedian)


























I first got to know the folks at The Giving Lens back in 2012 when the founder, Colby Brown, brought a team of photographers to Picaflor House, the NGO I was then managing in Peru. This time, I was to experience the Giving Lens philosophy from the other side, from behind the lens of my camera and, of course, I was also hoping to learn a bit more about how to actually use my new Canon 100D. Fulfilling my long-held dream of seeing wild animals roaming free on the plains of Africa was also a huge drawcard.

In contrast to my previous volunteering, teaching English in Cambodia and in Peru, this was a somewhat different experience. Though we did spend one day teaching photography, the focus was more on using our cameras to document the work of the local NGO and their partner organisations, to provide them with images they could use for their media and websites, and, through those images and our own social media outlets, to help raise awareness and fundraise so they can continue their essential work with the underprivileged people of Tanzania.

With my two students (photo: Kate Siobhan Mulligan)
Our first day began with an introduction to Art in Tanzania, the NGO we were working with and who had organised our Tanzanian adventure. We visited their offices in Moshi, met the key staff members, had a quick lesson in basic Swahili, then moved on to visit one of their partners, the Mkombozi Vocational Training Center. We were greeted warmly by their founder, Asha Mshana, and members of her team and given a tour of the compound: dorms for some kids who live in, facilities for training the girls in sewing and knitting, and a workshop in progress training local men to be soccer coaches.


We then spent several hours full of fun and laughter giving fourteen delightful teenage girls their first introduction to photography on point-and-shoot cameras our team members donated to the NGO. We had barely any common language – the girls had a little English – but miming, pointing and smiles worked just fine, and the girls loved it. After looking at the basic workings of the cameras, we took them on a scavenger hunt – ‘take a photo of something round’, ‘of something red’, etc. It was a hoot!




Checking pronunciation (photo: Trudey Peterson)
We spent the next morning visiting Korongoni Primary, a school that is supported by Art in Tanzania. The school principal explained the chilling realties of Tanzanian education to our team: government funding is insufficient, resources limited and many families can’t afford the cost of school fees, uniforms and stationery, so AIT’s support for the school is much needed. Our task there was to document the situation so we moved from class to class, meeting the delightful children and their hard-working teachers, seeing for ourselves the grim truth of special needs education in an underdeveloped country, noting the lack of supplies and equipment. The teacher in me couldn’t help but put the camera down from time to time to check spelling and pronunciation, and the children’s smiles were a joy to see.


After relocating to the little township of Karatu that afternoon, we spent some time the following morning visiting the AC Day Care and Orphanage Center. It was set up by Angela (above left), a retired teacher who decided to use her retirement money to help the local children, and what beautiful children they were. Despite their dirty, tattered clothing and snotty noses, their smiles and need for hugs touched our hearts. 





Here again, our task was to document the plight of the orphanage and the children, to try to solicit much-needed funds to support the school and to obtain sponsorship for the children. If I wasn’t already sponsoring two children elsewhere, I would certainly have taken on one or two of these. Although I took lots of photos of the kids, I also spent quite a long time with just one or two of them. It was a special time and affected me deeply.


On the last day of our Tanzania trip, we had one more stint of volunteering. In Karatu, we visited the compound of the Evangelical Lutheran Church in Tanzania to meet their team and hear about the work they do supporting local people who have AIDS or are HIV positive. I am not a fan of the methods churches use in their interactions with the locals in underdeveloped countries, offering assistance in exchange for religious conversion. And while I salute the support this church is giving to local people, I was very disappointed to learn that they were making no effort to educate their congregation about the positive effects condom use would have in preventing the spread of this disease. In fact, when I asked why the disease was so prevalent in the town, they giggled - hardly a mature attitude! I found out later that Karatu is the base for the drivers and tour guides who take tourists on safari to the Serengeti and Ngorongoro Crater, so there is a high incidence of prostitution to ‘service’ their needs.

The type of house the poor of Karatu live in
From the church compound we walked to the homes of three local families who are affected by HIV. Once again the idea was to photograph the people and to document their situation, partly to provide images for fundraising and awareness, and partly to supply the families with photographs – something we take for granted but which these people almost never have. 

Personally, I thought this photography very invasive and, although they had agreed to it, potentially overwhelming for the people involved. Also, as the families live in constant fear of their disease being discovered and thereby being ostracised, I thought the presence of a group of Western photographers was potentially damaging for them - I saw neighbours watching from behind raised curtains. For these reasons I declined to take part in this volunteering, as did some of my fellow team members for their own reasons.

It was a sad end to our volunteering experience but I don’t want to end this blog on a negative note. The plight of the children of Tanzania affected me so greatly that I intend returning in the future, hopefully in 2015, to do some voluntary English teaching with Art in Tanzania. And if any of my readers feel inclined to help, here’s a link to the donations page of their website. Every little bit helps!   



12 June 2014

A taste of Africa and a slice of England

It’s almost a year since I returned to New Zealand from two years living abroad, intending to take care of some property issues then depart again – ha! As the Scottish bard said ‘The best laid schemes o’ Mice an’ Men, / Gang aft agley’, though I was much luckier than Burns’ ‘wee, sleekit, cowran, timorous beastie’, who lost his home to the plough. Instead, I sold my one-bedroom apartment and bought a studio apartment, in the same building, so downsized my home but, luckily, didn’t lose it.

The property exchange was done and dusted by the end of August so I could still have headed off quite quickly. But, by then, I was teaching business English in the afternoons with one of my previous employers, and had taken on temporary office administration work in the mornings with another. I thought I could settle down again so one of those temp jobs soon changed to full-time and permanent, something I quickly realised, for several reasons, was a big mistake. However, the six months I stayed in that job did allow me to save the money to pay for my next adventure.

On 17 June I head off for a rather extravagant 76 nights’ holiday, with 3 days in Madrid, 19 days in Morocco, 38 days in England, 2 days in Dubai, 10 days in Tanzania, 2 more days in Dubai and a couple of nights on planes. My itinerary includes 13 flights: an initial long haul from Auckland through Sydney and Dubai to Madrid, and after a short stopover there on to Casablanca; then from Marrakech to Manchester; later from London through Madrid to Dubai; a wee break there then on to Kilimanjaro via Nairobi; later the reverse journey from Kilimanjaro to Nairobi to Dubai; another very short break there, then home to Auckland via Melbourne. Phew!

Apart from the short stopovers, the trip breaks into three parts: a tour of Morocco, 5 weeks visiting friends in England, and 10 days in Tanzania.

Morocco has been on my list of places to visit for many years. My ex and I planned to go there during a 9-month trip half-way around the world way back in 1983 but didn’t quite make it – we had a couple of weeks in Tunisia, but that’s as close as we got. The idea for this part of my trip was hatched back in May 2013 when I was living in Cambodia and treated myself to a 5-day birthday break in Kuala Lumpur. My cousin Julie, who lives in Singapore, flew up for the weekend to help me celebrate and, during one of our many long conversations, we discovered a mutual fascination with Morocco. As she’s a teacher, she has her long break in June–July so the idea of a tour of Morocco in June 2014 was born. A friend of hers, Andrea, will also join us for this adventure.

To avoid the hassle of organising the trip ourselves, we’ve booked with Intrepid Travel. I haven’t travelled with them before but they have a good reputation so fingers crossed it goes well. Our tour is quite comprehensive and includes a taste of Bogart’s Casablanca, Roman ruins at Volubilis, a camel ride into the Sahara for a desert camp, a night with a Berber family, lunch in Ouarzazate (where Lawrence of Arabia was filmed), a couple of days in the pretty coastal fishing town of Essaouira, and we’ve tacked on a few extra days at the end to explore the medinas of Marrakech.

From Marrakech I fly to England to begin a series of visits with women friends, in a small village south of Manchester, in Kent, in Devon and in East Sussex. I haven’t been to any of these locations before so I’m very much looking forward to long countryside walks, visits to country houses and historic places, and spending time with each of these wonderful women, as well as having a few nights in London for some sightseeing there too.

For the last part of my trip I return to Africa, to Tanzania for a 10-day adventure with The Giving Lens, an organisation that uses the medium of photographic workshops to bring volunteers and much-needed funds to local NGOs at the same time as providing their participants with photographic training and a more genuine, less touristy travel experience. I first got to know the folks at The Giving Lens when their leader, Colby Brown, brought a team of photographers to the NGO I managed in Peru.

In Tanzania, we’ll be volunteering with an NGO that fosters the artistic development of the local children, we spend 3 days in a Masai village, and also volunteer with families struggling with AIDS. For the final 3 days we’ll be on safari in the Ngorongoro crater and the Serengeti. To see wild animals roaming free on the plains of Africa is a long-held dream of mine so I know everything about Tanzania will be sensational.

I have a new camera I need to learn how to use (a Canon 100D) and new luggage to try out (an Osprey 75L Sojourner, a hybrid backpack with wheels). I’ve had my rabies jabs (not pleasant) and bought my anti-diarrhoea meds (the traveller’s friend!). I’ve booked all my accommodation and most of my transport. And I’ve been enjoying farewell get-togethers with friends, some of whom seem to think I won’t come back … but, as the man said, I’ll be back, if only to earn the money to do it all over again or to pack up my belongings and head back overseas to live and work! Time alone will tell which of those scenarios pans out. 

In the meantime, five more sleeps …

14 June 2012

The Giving Lens comes to Cusco


Photography is one of my passions, and a week or so ago I was privileged and delighted to meet some of my heroes from the photography world. On behalf of Picaflor House, the project I manage here in Peru, I hosted a visit from a team of world-class photographers from The Giving Lens organisation. Founded by internationally renowned photographer/photo instructor, author and humanitarian Colby Brown, The Giving Lens focuses on blending photography education with giving back to local communities.

The Giving Lens offers photography workshops in various locations around the globe, where they work alongside local non-profit organisations that are doing exceptional work. These workshops are designed and led by Colby, who offers a unique and creative learning environment that not only showcases the latest in digital photography techniques but also emphasizes the importance of lending a helping hand to help make the world a better place for all life on this planet. What better combination!

After arriving in Cusco on Tuesday 29 May, Colby and his team of Mike Chambers, Joe Azure, Vincent McMillen, Alexis Coram, Christopher Cox and Michael Bonocore spent their first afternoon recovering from their long journeys from various international locations and getting acclimatised to the altitude. Next morning I led the group on a photowalk around Cusco, visiting local markets and the major tourist attractions and finding the best spots for views over this picturesque city. They were a fun group, happily posing for my camera and enthusiastic about the sights of Cusco.




Thursday morning saw an early start as our group headed out of the city to the ancient Inca ruins at Tipon, a small village south-east of Cusco. As roadworks were underway on the access road, we had to hike 300 metres up part of the original Inca trail to reach the ruins, no mean feat for a couple of the guys who were carrying 50lb backpacks of camera equipment. But the effort was worth it, as the team shot some amazing photos of the impressive ruins and surrounding landscapes. 








Back down in the village for lunch, the more adventurous photographers got to sample the local delicacy, guinea pig – not me though, I had trout! 


After lunch we headed down the road to Picaflor House, where we were treated to a traditional Peruvian dance performance by our kids – they performed so beautifully! – and then spent a couple of hours photographing and playing with the children. Both the photographers and the kids had a blast!






The Giving Lens team spent the next three days at Machu Picchu, capturing the delights of that magical ancient city of the Incas, before returning to Cusco on Sunday 3 June. The next day I took them exploring again, this time to the little town of Pisac in the Sacred Valley, where they photographed the ruins and the impressive mountain landscapes, did a little souvenir shopping in the local market and enjoyed more delicious local food, before heading out for another afternoon with our kids at Picaflor.


This time we enjoyed a performance of Goldilocks and the 3 bears, by one of our English classes, then joined the volunteers making owls in art class. It was a lot of fun and Colby even put aside his camera for a while to make an owl to take back to his 9-month-old son!


With this scouting workshop having been such a huge success, Colby has already committed to a return trip to Cusco and Picaflor House for a longer period and with a bigger team in 2013. Not only will they photograph the kids, they will also bring donated cameras and run workshops to introduce our kids to the basics of photography. As Alexis Coram, one of the team, wrote on her return to the USA, this will ‘let them freely document life through their eyes.... I’m sure these kids are in for a real treat next year and that their involvement with The Giving Lens will only boost their personal and social growth. I predict that some of them will become photographers themselves ... they seem to be naturals.’

I am thrilled with how the trip worked out. Not only will this partnership provide much-needed funding for Picaflor, it will also benefit the kids in other ways. Our kids are very creative and really love our arts and crafts classes. They love being photographed and then immediately race to the photographer to check out their photo. They also love borrowing my camera and those of our volunteers to try taking photos themselves.

I contacted Colby because I knew our kids would be very keen to learn more about photography and, if they show some talent, this might also lead to career possibilities for them. Cusco’s economy is dependent on tourism, yet the quality of photographs on postcards and in tourist brochures is generally quite poor. We really could do with some good home-grown photographers!