The mystery of the Nonpareil Market

This decorative stone plaque, bearing the inscription ‘The Nonpareil Market 1889’, now sits very incongruously atop an archway over a path into an estate of modern, rather ugly flats and houses in James Street, Cardiff Bay. Prior to its relocation, it was displayed at the top of an imposing stone building that stood very close by, on the corner of James and Louisa Streets, which, in 1889, contained the business premises of butcher Frederick Ward, and Solomon Andrews, an entrepreneur who operated a grocery store at this location but had his finger in a great many other pies. 

I am not the first person to have wondered about the origin of the Nonpareil Market name, nor the first to have spent time researching to try to find an answer, and I will probably not be the last. As part of an excellent series of blogs exploring the buildings shown in the superb artworks of Cardiff artist Mary Traynor, David Webb, a volunteer at Glamorgan Archives, produced the blog Nonpareil Market, James Street, Cardiff, published in January 2018. Despite his extensive research, Webb was unable to find an answer to the Nonpareil Market mystery, but his blog is certainly worth a read, and it includes an image of Traynor’s lovely watercolour of the building to which the plaque was once attached. You can also view a photograph of the bricked-up building, taken in 1985 prior to its demolition, on the Tiger Bay and the World Collection website. 

In 2014, in a guest post on the blog We Are Cardiff, contributor Jeremy Rees also wondered about the Nonpareil name, admitting that

All I can glean is that Nonpareil was the name of a sugar plantation in Guyana, South America – I know that many Guyanans settled in Tiger Bay and the Docks so that may be a clue, but as to where the stone came from and why it’s there, that’s still a mystery.

The mystery of where the stone came from was solved by David Webb but not the name. As I like a good challenge, I too have tried to discover the origin of the Nonpareil Market name. A search of the Welsh Newspapers that have been digitised and made available online on the National Library of Wales website revealed no information on the name Nonpareil Market. However, the word nonpareil appears in 3011 entries (reduced to 2637 if I selected the English language option), a total that rather surprised me. Even more surprising were the contexts in which the word was used:

• there were references to the collisions and wrecks of both a sailing ship and a steamship of that name;
• a fabric known as ‘Nonpareil’ velveteen was advertised as ‘the richest, softest and most becoming fabric ever produced’;
• the boxer who was middle-weight champion of America in 1889, ‘Dempsey, the Nonpareil’, who had been beaten in a prize fight and so was no longer the ‘unequalled’;
• a racehorse competing in the Zetland Plate at York, named, presumably, by an optimistic owner;
• an apple, grown on the North Aston Hall estate, which was for sale in 1909: ‘it was in the grounds that the “Nonpareil” apple was introduced into this country from Normandy in 1593 and called “North Aston apple”, or “Folk’s apple”.

It seems usage of the adjective nonpareil was much more common in the 19th and early 20th centuries than it is today, when we would be more likely to use adjectives like unequalled, unrivalled, or unsurpassed. And that, in turn, made me wonder whether the name Nonpareil Market was simply a boast by the entrepreneur Solomon Andrews that his ‘grocery store’ was, in fact, a market for goods and produce that was unequalled by any other in the Cardiff area. The truth is we shall probably never know, but I have passed an enjoyable stormy afternoon trying to find out.

Penarth ghost sign: Windsor Nursery

Back in 2021, during renovation work, an old shop sign was uncovered on the front of number 86 Windsor Road, Penarth. It read ‘Windsor Nursery’. 

I’ve tried, during the intervening years, to get good photographs of the sign and its building but that has always proved tricky. For much of that time, a large campervan has been parked on the street in front of the building, limiting the possibilities for front-on shots. Also, for a long time, the exterior of the building was covered in scaffolding, though little building work seemed to take place. More recently, the front of the site has become overgrown with foliage. 

Though the word ‘Windsor’ is an obvious nod to the street name, I wondered, initially, about the name ‘Nursery’ – a child-care business, or something horticultural perhaps. Then, I found a post about the building on Twitter; this dates from March 2021 and was posted on the LovesTheDiff account:

An old shopfront sign was recently uncovered at 86 Windsor Road, Penarth. Windsor Nursery was a kind of convenience store of its time. Graham Hicks saw it and dug out this old photo belonging to his aunt. It shows the shop as it was more than 100 years ago.

I no longer use Twitter, and, for copyright reasons, cannot include the photo here but have added a link to the account name for those of you who can access it. I did, however, manage to find a couple of advertisements for goods being sold by the shop, published in the Evening Express, on 22 November 1909 and 31 December 1910 respectively. A sow and her piglets, a ladder, hot water pipes and a garden roller – it’s an intriguing combination of offerings. 

In a reply to the Twitter post referenced above, someone had added another old photograph with the comment: ‘And this is 86 Windsor Rd in 1920s/30s after the Price family took it on. Ernest Price pictured (my great grandad). My mum grew up there.’ Once again, I cannot show you that image, for copyright reasons, but here I had a piece of luck. 

I bumped in to a friend who was walking his dog in a local park and who lives near 86 Windsor Road. Somehow our conversation turned to the building and, by sheer coincidence, he told me he had an old photograph from the time when E.W. Price was the shopkeeper, which he was happy to send to me. The image quality is not great but I am still extremely grateful to my friend for letting me use this photo. 

The old photograph also showed how much the building has been altered in the intervening century; I’ve included a side-by-side comparison to show those changes. The most noticeable difference is the removal of the wonderful oriel window and its replacement with a modern rectangular window, which leaves the building devoid of its former character. I hope the ghost sign can in some way be retained and protected, as a piece of local history, but I somehow doubt that will happen. The building was recently put up for auction, though it appears there were no bids for it, so only time will tell what the future holds for the former ‘Windsor Nursery’.

Cardiff Bay: The Story Stone

Cardiff Bay has yet another piece of public art, this one to mark the 25th anniversary of the Barrage that closed off the once-tidal Bay and the natural outlets of the Rivers Taff and Ely to create a lake that now has water quality so poor that you definitely wouldn’t want to swim in it. But, hey, let’s celebrate the creation of the Cardiff Harbour Authority whose job it is to look after these murky waters. 

The artwork is the creation of sculptor Ben Dearnley, whose website says:

This project brings together the ancient world of standing stones with a modern twist. Within this huge piece of Welsh slate we have some of the stories of this wonderful regeneration of Cardiff Bay.

The mock standing stone is a 2.4-metre-tall piece of Welsh slate, with three stained-glass windows set into it. Each window shows different aspects of the Bay, pre- and post-Barrage, including the workforce that is now constantly required to clean up the rubbish that flows down the two rivers; some of the local wildlife: Salmon, Great crested grebes; and people walking, running, cycling and sailing in and around the Bay. If you’re interested in the artwork’s creation, the project page on Dearnley’s website includes many photos of the work in progress. 

If I sound cynical about the project, it’s because I am. There are two main reasons, neither of which is a reflection on Dearnley’s creation, which I actually quite like. The first reason is because, as I think I’ve mentioned in previous blogs about Cardiff Bay’s artworks, the Council (of which the Harbour Authority is a part) seems ever ready to commission and pay for new pieces but appears to allocate zero funds to maintaining them, with the result that many have now literally crumbled away or are eyesores. 

The second has to do with the area where this new piece is located, its surrounding ‘garden’ incorporating what was once a small and very necessary pond for small birds, until the machinery which operated its hydraulic system stopped working. Even then, the pond held a small amount of water and native plants until, under the pretext of ‘health and safety’ – that small amount of water was deemed a hazard even though the large unfenced lake a few metres away wasn’t – the Harbour Authority dumped a large quantity of stones and boulders in the pond to make it ‘safe’, which, of course, rendered it unusable by birdlife. 

What could have happened was a repair, even an enlargement of the former pond, and the installation of an artwork that encompassed or surrounded the water in such a way as to allow birds in but prevented access to dogs and their humans, thus rendering it safe. Something like an inverted hemisphere-shaped stainless-steel net, for example (this is not a product endorsement but a quick google found the website of a company called Creative Pond Covers Ltd which manufactures bespoke pond covers, exactly the sort of thing I’m envisioning). With a little imagination, this could have been a win for art and creativity, as well as benefitting the natural environment … but it isn’t.