Showing posts with label graveyard. Show all posts
Showing posts with label graveyard. Show all posts

21 October 2015

Grave matters: Celtic crosses

The elaborate knotwork of Celtic art has long beguiled me.



























I have a lovely gold ring shaped in a knot pattern; I have a book full of charted embroidery patterns adapted from such exquisite works as the stone Crosses of Moone and Muiredach, the metalwork of the Petrie Crown and the Ardagh Chalice, and the incredible illuminated manuscripts of the Books of Kells and Durrow; and I have used simplified versions of these patterns in my knitting designs.

So, during my wanderings around the graveyard that sits adjacent to Llandaff Cathedral and through the extensive grounds of Cathays Cemetery, both here in Cardiff, I find myself attracted again and again to the many fine Celtic cross headstones.



This design is a combination of a cross, with a ring the surrounds the intersection of the two branches of the cross. Though usually labelled a Celtic cross, its origin is something of a mystery. Some sources claim it comes from the 6th century Coptic Church because it resembles the Egyptian Ankh (or key of life); others see its roots in pagan religions, with the circle symbolising both the sun and the eternal circle of life; while the Romans believed it developed from the draping of victory wreaths across the horizontal bars of crosses.

There’s also a popular legend that attributes St Patrick with the idea of combining the Christian cross with the Sun cross to create the Celtic cross, in an effort to convert the Druids and Pagan Irish to the new Christian religion. Whatever its origins, it was adopted by the Celtic tribes of Ireland, Scotland and Wales in medieval times, and is now most often associated with those peoples. It is also the official cross of the Church of Scotland.


In the mid nineteenth century, the Celtic cross became popular as a grave marker, often in conjunction with decorative bands of intricate Celtic knotwork. It was not only used for people of Celtic origin but also for the general public, so it’s not surprising to find many examples in graveyards dating from Victorian times.

All the photographs included here are of crosses I found in the Llandaff Cathedral cemetery. The structural designs, the complex patterns, and the construction materials vary but each cross is a work of superb craftsmanship and intricate beauty.









10 October 2015

Grave matters: passionflowers


Draped over a wall just around the corner from where I live is a passionfruit vine. I pass this way almost daily and always marvel at the beauty of its flowers.

Then, during one of my frequent walks through Cathays Cemetery, I noticed how often the passionflower appears on the headstones there. These are mostly stones from the late 19th century, though one is from as recently as 1924. The passionflower sometimes appears alone, sometimes in conjunction with other flowers, like roses and lilies, sometimes with foliage like ivy. It is carved on the stones of both men and women.



I guessed the flower’s presence was something to do with the passion of Christ but didn’t realise how specific the symbolism was until I researched it further. 

Working from the outside inwards, the flower has ten petals which represent the ten apostles. The rays that circle the flower form a nimbus, which, for Christians, is symbolic of the divine glory of Christ. Next come the five stamens representing the five wounds Christ received on the cross. The flower’s ovary is shaped like the hammer that was used to drive the nails into Christ’s hands and feet, and the stigma is divided into three parts which equate to the three days Christ lay in the tomb prior to his resurrection. Coincidentally, the passionflower only blooms for three days. And, lastly, the leaf of the passionfruit vine is shaped like a spearhead, representing the spear that pierced Christ’s side.




Not all stone masons seem to have understood the symbolism, I notice, as not all of their flowers have the precise numbers of petals and stamens but, still, I find it fascinating how much meaning has been attributed to this one little flower and will look with new eyes as I pass that passionfruit vine each day.