When the opportunity arose, I just couldn't resist visiting one more black-and-white stately home before leaving the North
West of England so off we went to Speke Hall, a rare Tudor timber-framed manor
house.
Speke Hall sits on the
edge of the River Mersey, right next to John Lennon
Airport – and I do mean
right next to it – the sound of the planes taking off and landing seemed very
incongruous during our stroll around the grounds. As rain was forecast for
later in the day and it was already spitting when we arrived, we decided to
explore the grounds before heading inside the house.
The Coastal Reserve pathway
leads down to the river, directly past the end of the current airport runway
onto a concrete taxiway that once connected the previous airport on the other
side of Speke Hall to the new one. A red line leads walkers along this concrete
wasteland then off to the left onto a pathway that runs along the top of the
low coastal cliff. Looking along the Mersey to
the left, you can see a long metal gangway running out into the water – that’s
actually a lighting gantry that helps to guide planes in to land. Apparently,
it’s also a favourite perching place for local cormorants but we saw none the
day we visited.
We continued along the
path to the yacht club, then retraced out steps back to the house. As there was
no signpost, we didn’t realise we could actually continue inland and return to
the house by a slightly different route, but I don’t think we missed anything
much. It was a grey day and the view – across the Mersey
to factories and large industry – was rather bleak.
Fortunately, the house
itself was superb. Built in stages between 1530 and 1598 by the Catholic Norris
family, Speke Hall has had a long and interesting history. At one stage, it was
even being used as a cow shed! Luckily, the hall was restored and renovated in
the 19th century, so much of what you might think is original Tudor is actually
the Victorian interpretation of Tudor, with a heavy mix of Arts and Crafts
influences. Don’t let that description put you off – it is still amazing.
The hall’s layout is,
in many ways, similar to that of Little Moreton Hall, built around a central courtyard – with two
ancient yew trees estimated to be 500 years old, with a Great Hall in the same
position but without Moreton Hall’s wonderful Long Gallery and its
rollercoaster-ride flooring.
The house is heavy with dark-wood panelling and
ornately carved dark wooden furniture which has lots of little heads and
figures incorporated in the designs. The predominance of dark wood made some
rooms seem rather gloomy but was relieved in several by the amazing Jacobean ceilings
of white plaster, richly decorated with roses, lilies, pomegranates and vines.
Though no spectral
images appear in my photographs, Speke Hall has a reputation for being haunted.
Dark shadows have been seen gliding through the rooms, visitors have supposedly heard footsteps and children crying, and an ‘overwhelming sense of oppression’ has been reported, though I wonder if that can be attributed to the
decoration.
As with most other
National Trust properties, Speke Hall has excellent facilities. There are two
eateries – you can enjoy light snacks in the Stables Tea Room or, like us,
enjoy lunch in the main restaurant. I tried a local Liverpool
speciality, appropriately enough called Scouse, which was basically just a beef
casserole but very tasty. As we visited during the school holidays, there were
lots of families with screaming, uncontrolled kids, both in the restaurants and
in the house – not my favourite sightseeing scenario.
Luckily, the rain held off so we escaped the noise by
walking along some of the woodland trails close to the hall and checked out the
pretty gardens, which give some wonderful views of the outside of the house. It
is such a photogenic place that I have gone rather overboard on the photos I’ve
included here. I hope you enjoy them as much as I enjoyed my day at Speke Hall.
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