Showing posts with label Wat Atwea. Show all posts
Showing posts with label Wat Atwea. Show all posts

19 June 2013

A wat or six

I think I am rapidly gaining a reputation as the Mad Wat Woman of Siem Reap, at least in the opinion of my friendly neighbourhood tuktuk drivers and their associates. I doubt if any white person ever in the history of tourism in this city has visited as many of the wats as I have. It’s a very good thing I’m leaving Cambodia soon as this could turn into an addiction.

I can’t help myself. These places have the most incredible architecture, and are often extremely colourful. They are almost invariably empty of tourists. They’re inhabited by friendly monks who are only too happy to practise their English by answering my questions and who seem to appreciate my interest in their sacred places. And, although these are all living monasteries where poorer members of the public can seek shelter in times of crisis and so are never entirely deserted, they are invariably tranquil places to wander around. They offer a fascinating insight into many aspects of the local culture, not just religion. And I love the tuktuk rides I have to take to get to most of them.

So, here are some photos of my recent explorations. All six wats are within 15 kilometres of the city centre, and situated close to the main road than runs from Siem Reap city to Tonle Sap, the largest lake in southeast Asia. I’ve drawn a rough map for anyone visiting the area who also wants to check these out.

Wat Svay
I walked to this wat, a hot sweaty walk there and back alongside the river with no shade. But it was worth every bead of perspiration. There are two temples here, an old one that is in a very sorry state of repair and, judging by the amount of bird poop all around it, is now more of an aviary than a place of worship.

In comparison, the new temple is a shining light of Buddhism, all golds and oranges, with the bright blue highlights of the garudas, the ornamental roof supporters. There are many other buildings, including an old meeting hall built on high stilts, perhaps an indication of how high the river waters can rise and threaten this place.


Wat Kong Mouch
Not much further down the river, this place is quite a contrast to Wat Svay. It looks much older and the grounds are quite unkempt, but the temple itself is no less elaborately decorated, with particularly beautiful windows and doors, and a ton of burial stupas lined up around it in neat, repetitive rows.


Wat Atwea
The next wat down the road is Wat Atwea but I’ll say little about that here so I’ve already blogged about my visit to this place. It has the added attraction of ancient Angkorian temples in its backyard so is worth a visit for those alone.

Wat Po Banteaychey
This wat was a wonderful surprise. The main temple is a colourful many-splendoured construction but there is so much more: an equally splendid meeting hall and lovely office buildings, many vibrantly coloured statues, a large pond with its own small temple sitting in it, and behind the main complex, an extra revelation – a square structure with peaked towers at each of the four corners and a huge tower in the centre.





Wat Aragn Sakor
The architecture of this temple is remarkably different from any other I’ve seen in Cambodia. Although its wooden window shutters are painted in bright reds, blues and golds, the rest of the temple is quite plain and painted a simple dirty white. And its columns are most unusual, with spiral fluting more reminiscent of an ancient Greek temple than something found in southeast Asia.

The rear of the wat backs on to farm land, and that was also like stepping back in time, as I watched a farmer ploughing his rice paddies with an old wooden plough and two large white cows.



Wat in Phnom Krom village
Last but by no means least in this little jaunt along Tonle Sap Road is the wat in the village at the bottom of Phnom Krom (phnom means hill in Khmer), where I had my very own little group of local girls as tour guides. This temple is a very tall structure, with wonderful multi-coloured bands around its base, garuda statues and mint-green-painted nagas guarding its entrance stairways, and an abundance of burial stupas filling its grounds. From the cremation chamber at the rear of the enclosure, you can look out across the fields or back towards the hilltop, where yet another pagoda sits, beckoning the explorer. But that, as they say, is another story.



23 April 2013

Wat Atwea: the old, the new and the just plain funny!


Sunday has lately become wat day in my world, and last Sunday was no exception. And, first off, I need to modify a comment I made in a previous blog, about Wat Preah Enkosei being the only place to see Angkor-era temples for free – at Wat Atwea I discovered another (though I have heard some tourists have been asked to pay to look around).

I tuktuked, as Wat Atwea is about 4 kilometres from the city centre, along the riverside road towards Tonle Sap and then perhaps another kilometre down a dirt side road, straight in to rural Cambodia. The transition from city to country can be very rapid here.


The wat covers a large area, with the new living wat sitting within the boundaries of the ancient complex, whose boundary was once a moat that is currently mostly dry. You can’t see the ancient ruins at first approach, as they are tucked in behind the modern temple and its burial stupas.

I decided to have my tuktuk driver, Bunsoth, wait for me and was glad I did, as he was able to share some fascinating details with me, though he hadn’t been to this wat before or known there were Angkor ruins here. He came with me into the modern temple, knelt and made the appropriate obeisance, then walked around taking photos with his cellphone.


I was immediately struck by the large size of the main Buddha, especially considering how out of the way this wat is; and by the large number of colourful hangings dangling from the ceiling; and by the colourful bead hanging that was draped around all four corners of the Buddha’s enclosure, almost like the curtains around a four-poster bed.

Behind the Buddha were more surprises: two four-foot high lions – not dragons as I often think of them (Bunsoth pointed to their manes) – painted in the gaudy bright colours Buddhists seem to prefer. Against the rear wall was a large open-fronted cabinet, like a large set of bookshelves, on which sat an impressive number of small Buddha statues – gifts to the temple in exchange for favours from the deity, apparently.


On the lower three shelves were small cloth bundles, shaped a little like brown pumpkins, but much covered in dust. I was a little shocked when Bunsoth explained these were dead people, the ashes and pieces of bone that remain after cremations. 

For those well-off enough to afford it, these bundles would normally be placed in a family stupa but, for the poor who didn’t want to keep their bundles of ancestors in their homes or bury them in unmarked graves in their fields, they could deposit the bundles in the pagoda. Bunsoth said he was happy not to be in the building at night-time when the ghosts were about and, yes, he was serious. Most Khmer, especially those who live in the countryside, believe in ghosts.

There was one very large stupa in the surrounding grounds. It was bright white and obviously new, and had a small open-sided marquee in front of it. It was unadorned except for the ornately framed photos of three monks. Bunsoth said this would be the burial place of all the wat’s monks and had only recently been inaugurated, perhaps during the recent Khmer New Year celebrations.

Bunsoth escaped to his tuktuk, away from the draining heat, while I continued exploring, through the other burial stupas, around the ancient ruins and amongst the other wat buildings, chatting to a rather bored official who said he didn’t get many visitors and to a couple of monks who also seemed pleased to have a visitor to speak English with.


The ancient ruins are in relatively good condition. They look rather similar to those at Angkor Wat and, by examining the style and remaining decoration - though there is a general lack of carving, there are a couple of apsara dancers, some script, and some sculptural reliefs - experts have deduced that the ruins date to the late 11th century and were left unfinished. There has been some restoration, as the numbers written on some limestone blocks and the newness of other stones testify, and the scattering of masonry to the west of the temple is thought to be the gate to a second enclosure that was also not completed.


After the solemnity of the modern temple and the solitude of the ruins, my morning finished with a charming surprise. A small family – husband, wife and young son – were sitting on the steps of one of the wat buildings and, as I watched, a monk approached and began to drench them with water, a cleansing ceremony, usually to wash away bad luck and evil spirits. The husband and wife were quite serious at first, with hands held in an attitude of prayer but after a couple of bowls the man started to clean the dirt off his legs and the young boy, struggling to contain his joy, began to giggle hysterically. I couldn’t help but laugh with him and I don’t think it was disrespectful – after all, laughter is meant to be the best medicine, especially for chasing away unhappy spirits. I left smiling after another wonderful morning.