Not for me this modern trend for oversized
flashing Santas on the front lawn or houses bedecked with dazzling lights that
annoy the neighbours and drain the power grid. I much prefer the simplicity of
a wonderfully wrought wreath, like these I spotted in Dorset
during my Christmas holiday.
Sprinklings of history, a smidgen of genealogy, a dash of art, a dusting of architecture, & lashings of Nature, all mixed together with my eccentric fascinations
31 December 2017
21 August 2017
Cardiff art: ‘People Like Us’
This
is one of my favourite public artworks in Cardiff .
It stands in one of the busiest areas of Cardiff Bay ,
amidst the cafes, restaurants and bars of Mermaid Quay, so I had to wait for a
cold winter morning to get the photo, at right, with no people around.
The
sculpture, called ‘People Like Us’ (‘Pobl Fel Ni’ in Welsh), is aptly named, as
it certainly attracts people: they insinuate themselves amongst the figures for
photos, lean next to the man as if engaging him in conversation, and children pat
the dog as if it’s a favourite household pet.
‘People
Like Us’ is a life-size bronze artwork by English sculptor John Clinch (1934 - 2001),
whose intention was ‘to make something that somehow ‘gave a voice”’ to the diverse
cultural and ethnic mix of people who have always lived and worked in the
dockland area of Cardiff.
If
the body structure of the male in this sculpture looks familiar, it’s because
John Clinch also designed ‘From Pit To Port’, a sculpture celebrating Cardiff ’s mining heritage
that featured in a previous blog post here.
‘People
Like Us’ is a much more personable sculpture I think, one that people can
easily relate to, one that conveys a sense of rest and relaxation – the woman
with her shoe off is a delightful touch.
I
think John Clinch would be very pleased with how well his work is appreciated
by those who visit Cardiff
Bay .
23 July 2017
An ancient holloway
I mentioned in a recent post on my nature blog, earthstar,
that, when out square-bashing for biological records with my friend Hilary, we
found an ancient green lane, and this is it.
A local man whom we
asked for directions when our maps weren’t quite precise enough told us this
was part of a Roman road but that didn’t seem likely so I did some digging. I
found a document online that maps out the Roman roads in southeast Wales
and this lane is not included. Also, Roman roads are known to have a
certain physical structure, to have a humped profile for better drainage, and
generally to have been well formed, and this green lane was nothing like that.
Though probably not
Roman, I was still convinced this path was an old one.
Tracing the line on a
map, you can easily see that the people who lived in the settlement of
Llanmartin might have used the path to access what was once the old Llandevaud
corn mill. The mill was marked as disused on the 1882-83 OS map, which implies
that both the structure and the lane leading to it would date to the early 19th
century, if not earlier.
But I had a feeling
that this path was even older.
I knew about ancient pathways called holloways
from Robert Macfarlane’s excellent book The
Old Ways: A journey on foot (Penguin, London, 2012), in which Macfarlane explains
that holloway ‘comes from the Anglo-Saxon hol
weg, and refers to a sunken path that has been grooved into the earth over
centuries by the passage of feet, wheels and weather.’
I dug deeper and found references
to an article that had been published about the path we had found: ‘An ancient
green lane between Court Farm, Llanmartin, and Main Road at Llanbeder, Gwent
via Mill Lane’ by Dr Mark Lewis, Senior Curator: Roman Archaeology at National
Museum Wales, in the journal The
Monmouthshire Antiquary (vol. XXXIII, 2017, pp.43-50).
Luckily, Cardiff city library had a
copy of the journal.
Lewis’s research into
the green lane was, as you might expect, very thorough. He notes that the depth
of this particular holloway ‘evidences the combined action of traffic and water
over a very significant period of time’ and that the holloway ‘predates historic
adjacent field boundaries’.
He also notes that the lane traces part of a line
between the early medieval sites of Llanbeder and Bishton, both of which were ‘ecclesiastical,
episcopal holdings, held by the bishops of Llandaff before the Norman Conquest’,
and he further speculates that the lane could have formed part of a network of
lanes allowing access between ports on the Severn estuary and the ‘major
historic and ancient east-west communication routes (the modern-day A48 and the
Wentwood ridgeway)’. Lewis concludes by saying: ‘A medieval or early-medieval
origin is very likely. Roman or pre-historic origins are possible’.
Though its exact age
can never be known, the holloway was certainly a magical place to walk. I had a
very real sense that we had been transported back in time, that we were walking
in the footsteps of the ancients.
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